Doom 2 music mod movie#
Doom 2 music mod series#

Doom 2 music mod movie#

Suspense is a very tense theme which plays in the abandoned Phobos Lab, and much like a few other tracks it goes for a more Slasher Movie vibe - and it nails it, sounding almost sinister even as you shoot up hordes of demons, telling the player that they have a long, long way to go.

But even in spite of the march of the demons blaring in the background, you know it won't do a thing to save them from the real monster - you. Even with the dark tone, it still has a good beat, giving the feel of some sort of a demonic nightclub song.

The Imp's Song is an intensely menacing track, immediately taking the soundtrack to a darker turn after the legendary At Doom's Gate.

And get this - you're still rather early in the game, and the music's already shifting gears this constantly, dumping one iconic song onto you after another.

Dark Halls is among one of the more atmospheric tracks in the game, giving a calmer, albeit far more tense feel.

Better pray the Id Mom herself comes to rescue you as the title says.

You might not have a good time on Slough of Despair, but its main theme, Donna To The Rescue, keeps your spirits up while also sounding like it's clear how now things are equal between you and the demons and they're going to give you all they got.

Probably the single spookiest track in the original DOOM, it has 'Psycho' Strings playing constantly and has the feel of a Slasher Movie to match the Bleak Level it takes place in.

They're Going to Get You, from E2M4, particularly the MSDOS OPL rendition.

The Super Nintendo mix of the track also captures the sense of tension while delivering its own take on the track.

Sinister fully lives up to its title - quite possibly the most oppressive track in the game, this is not the music you want to hear when prowling the dark, gloomy labyrinth of this level, being caught out of nowhere by a Baron of Hell suddenly jumping out in front of you.

And when it works as level music in itself in Episode 2, it's all but saying a competent player has already won. Intermission From DOOM serves as the end of level results theme, both congratulating you for a job well done and getting you ready for the next round of wholesale demon slaughter.And you just so happen to find one on this level as well! Kitchen Ace (And Taking Names) for E1M4 is one hell of a blood-pumping hard rock tune, all parts of which seem expertly timed to a chaingun's firing rate.Hiding the Secrets plays on E1M9, E3M9, and E4M9, and is a loud ass-kicking melody also all but congratulating you for looking high and low by giving you a whole new playground to mutilate demons in.Nobody Told Me About Id, the theme for E2M8, is a slow-building theme encapsulating the shock and awe you get when you first lay eyes on the gargantuan Cyberdemon in that huge open field, and then into a proud, unyielding tempo as the two of you get down to one big, great rocket duel.The song itself even sounds like it's telling you in no uncertain terms that you're going to die even if it's going out swinging. Nothing says facing your potentially final challenge more than Sign of Evil, the theme of E1M8, a grim droning melody that plays undauntingly even when you're in the fight for your life against the Barons and their Spectre hordes on Ultra-Violence.

Doom 2 music mod series#

It has also become synonymous with the series in general. At Doom's Gate, a simple, effective, and powerful fast-tempo track, great for starting off your day at UAC with filling a zombie's face with pistol lead.